Despite digital film releases being more convenient (especially as they usually include an extra week or two window before any rentals or physical disks are released), I was shaken up by Apple’s revelation that they can remove content from your library unless you download your purchases (and even then you don’t get to download the 4K version of the film if it’s available, nor any extras). You can read a lot more about that on this blog.
As you can tell from the previous few posts, I’ve started buying more Blu-Ray disks again. Heck, you can head over to my recently re-launched Instagram account where I detail many of them as they come in. Many of them are classic titles that I’ve enjoyed over the years, but I’ve added a few modern titles to my wishlist.
I’ve a feeling that physical disks will still play an important part in a film lover’s collection because (a) removal of digital content at will by the seller and (b) offline/higher bitrates than digital streaming services lead to better overall quality. It’s also much harder to find rarer films from the likes of iTunes and Amazon, and physical disks usually contain many more extras than that of their digital counterparts.
Most importantly, I think that the sales of Xbox One Series X and Playstation 5 which both come with UHD Blu-Ray players by default (though there is a diskless version of the PS5) will continue to drive the market and demand for films on disk.
Back in the late 1990s, I bought myself a chipped Sony DVD player which could play region 1 disks. I wanted this ability because there was a company called The Criterion Collection which released (or in many cases re-released) movies on DVD which came with a plethora of special features. And these were absolutely brilliant for the film fan. And it helped also when I first went to the US back in 2000 and travelled across the entire country by bus and came back with a huge stack of DVDs of films not yet released in the UK.
That Sony DVD player has sadly gone away, and I never replaced it with a multi-region player again (which is a shame because I still own a copy of Pixar’s Cars on DVD which came directly from Pixar to my boss at MPC as part of a gift pack that was sent out to Renderman customers – he didn’t have a multi-region player, but I did at the time). So I’ve been restricted to region 2 or region B disks.
But the good news is that The Criterion Collection has been releasing titles in the UK/region B and I’ve started collecting all the good titles. Arrow Films has also been doing similar, and I’ve picked up some truly wonderful titles.
When the movie first came out in 1987, I was only ten years old. But I was desperate to see this film. Thankfully my mum managed to buy a copy on VHS when it came out for consumers. It was my very first 18-rated film, and I loved every minute of it. When I bought the original Criterion DVD back in the 90’s, this contained extra sequences (including an extremely gory death) and audio commentaries galore. This Arrow Films release contains all that and includes both the director’s cut and theatrical release.
I came across Clive Barker’s work after reading about Hellraiser in Fangoria (or one of the other many film/horror magazines I bought at the time). I’m sure I watched Hellraiser before Nightbreed and was extremely impressed (and as Clive Barker’s directorial debut, absolutely incredible).. Hellraiser is technically my first horror – but I was so impressed with the special make-up and creature effects that I had to see what they did next. Nightbreed was that film. I absolutely loved it. I even bought the Titan behind-the-scenes book which contained high resolution photos of the monsters and other behind the scenes photos. Loads of information.
It’s horror/fantasy, but more emphasis on fantasy than horror. It stars Canadian director David Cronenberg in a major role, and the creatures themselves are wonderful. Danny Elfman’s music score is suitably ethereal, and the ending is crying out of continuation – maybe in the form of a TV series.
This release comes with a huge bunch of special features that I look forward to perusing through.
Peter Sellers last film, and possibly his very best. It took me a very long time to get around to watching this, despite being a huge fan of Hal Ashby’s Harold and Maude (which is crying out for a Criterion Collection UK release).
Is Chance the wisest men in the world? Is his autistic? Is he just a simple gardener with simple thoughts? Regardless of his mental state, his words have a heavy influence in US politics and becomes a major political figure – quite by chance. What follows is a farce on a similar scale to Dr. Strangelove and ends in a rather mystical and open-ended way.
Wes Anderson. The man can make a thoroughly entertaining film out of virtually anything. It’s very difficult to pinpoint exactly why I love his work, but he is by far one of the best directors of the past 20-30 years. His adaptation of The Fantastic Mr. Fox is one of the greatest Roald Dahl adaptations I’ve ever seen (including the Tim Burton adaptation of Charlie and the Chocolate Factory that I worked on). He adds part whimsy, part conflict, part surrealism, some really superb dialogue work, oddball characters and a dash of romance (where needed) and gives you a film that is incredible to watch and a story that’s engrossing as any book.
The Criterion Collection UK has a few of his films, and I’ve just bought the rest – they should be arriving this week – but there is still room for Criterion to add a few more of his works to the Collection (namely Fantastic Mr. Fox, the Isle of Dogs, The Grand Budapest Hotel and The Darjeeling Limited). I’m also crazy excited to see his new film, The French Dispatch, when it hopefully opens in cinemas in October.
But Moonrise Kingdom is a beautiful coming-of-age film about two adolescents on a made-up New England island running away after feeling alienated from their parents and peers. This triggers a massive police search, including that of the islanders. Featuring an insanely wonderful score from Alexandre Desplat, and isn’t afraid to borrow from Benjamin Britten’s Young Person’s Guide to The Orchestra (which also features). It’s worth listening throughout the end credits as the soundtrack breaks the fourth wall.
If life could be a Wes Anderson movie, I think we’d all be better off..
The Life Aquatic with Steve Zissou
More Wes Anderson! This time we follow Steve Zissou, renowned oceanographer (and meant to parody Jacques Cousteau) on the hunt for the infamous “Jaguar Shark” which ate his business partner. Part Moby Dick, part mockumentary, part family drama, and part sea adventure. It also features some wonderful stop-motion animation of imaginary sea animals to boot, and an insane set containing most of the submersible and its rooms.
This is a very ambitious film from Anderson, featuring a fantastic cast, great music score, and.. oh, you know – I just love everything about this film. Like his other stuff, infinitely rewatchable. And it comes a load of extras which will keep any film fan happy.
It’s been a while since I first saw this film, but it stuck in mind ever since. What really makes it special is the relationship between Dustin Hoffman’s Ratso and Jon Voight’s Joe Buck. I’ll also never forget Ratso’s dream sequence in which the music I recognised from the 1980’s Animal Show with Johnny Morris. The origins of some music tracks defies belief!
The ending is surprisingly emotional, which is not helped by John Barry’s wonderfully haunting theme (dabs eyes). Never has the harmonica sounded so beautiful. And Harry Nilsson’s Everybody’s Talkin’ is such a classic that it’s difficult to count how many times it’s been re-used elsewhere.
Again, plenty of extras to keep the most ardent fan happy.
And the rest..
Arrow Films is having a sale on – with many titles at £5/£7.50. It was rude not to indulge, so I picked out a few that I’ve been wanting to own for a while.
I’ll mention Zardoz because it’s a film that I watched late at night, possibly during secondary school, and found it to be utterly weird. And it stuck firmly in my mind. It’s been a right bugger to find it ever since and this Arrow Films Blu-Ray is the jackpot. Not only do you get a lovely remastered copy of the film, but audio commentaries and all manner of extras. I’ve been a big fan of John Boorman’s films since watching this (as mad as a box of frogs Zardoz is as a story). It also features one of the best version of Beethoven’s Symphony No. 7 that I’ve ever heard – but alas, does not exist anywhere other than the film. No soundtrack was ever released.
And Zardoz was shot at Ardmore Studios in County Wicklow, Ireland. I had the very great pleasure to visit there for the filming of Miramax Ella Enchanted (and was driven from Dublin to Ardmore by Richard Harris’ former driver). Didn’t get to see much of Country Wicklow’s beautiful hills – but it’s an impressive studio that’s for sure.
Oldboy I already have on Blu-Ray – but not the two disc edition. The second disc contains a THREE hour documentary on the making of the film. The film itself is absolutely fantastic, so for £5, I’m not going to say no just to get at that documentary.
Similarly, the extra features on A Fish Called Wanda are worth it alone. I’ve always liked the film, so now I can get to see and hear a bit more about how it was made (and why).
Being John Malkovich is a title I originally owned on region 1 DVD back in the 1990’s, but never got around to replacing it until now. Extra features also made it a lot more attractive as well as the cost.
Children of Men is a film I’ve seen a couple of times, and features some brain melting VFX and cinematography, so I had to get this. I’ve also recently purchased Alfonso Cuaron’s Roma on Criterion Collection UK which I thoroughly enjoyed (and features some stunning VFX work from my former employers MPC), so looking forward to that.
That’s all for now – but stay tuned for more movie madness.